NYCTINASTY

(2021)

7:54 minute single channel film

To request access to view Nyctinasty email: hayleymillarbaker@gmail.com

Representing the rhythmic movement of leaves or petals in higher plants in response to the onset of diurnal changes in light, Nyctinasty emblematically translates these crucial movements of self-preservation and survival to echo the ways humans face the delicate balance between the physical world and the spiritual realm. This ‘in-between’ - a space operating on multiple frequencies, where spirits linger, and the mind and body shift into a state that tethers life, death and the afterlife together as one - revealing the unbroken link of communication between the two. 

Nyctinasty centres on female power and strength in reference to elements of the horror genre that are often focused on women’s psychosis. The female body is employed as a vessel to carry a present-day practice of magic and spirituality – descending from many millennia of spiritual practices. As the protagonist’s commanding character remains cognisant of her task, she carries herself meditatively through the all-too-well-known domestic space with confidence, acutely aware of her surroundings – physically and psychologically - openly and unafraid. 

Commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony curated by Hetti Perkins with the support of Kerry Gardner AM and Andrew Myer AM, and the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.