May 2020
Hayley Millar-Baker's essay 'A Lucky Survival and Thereafter' featured in Un Magazine Issue 14.1.
http://unprojects.org.au/magazine/issues/issue-14-1/hayley-millar-baker/
April 2020
Hayley Millar-Baker is featured and interviewed by Nanette Orly in the anniversary issue and photography special of Vault Magazine Issue 30.
Hayley Millar-Baker to present new work 'I Will Survive' at the 2021 Melbourne Art Fair with Vivien Anderson Gallery.
February 2020
Hayley Millar-Baker announces early-career survey show to be exhibited with UTS Gallery.
December 2019
Hayley Millar-Baker announced as a finalist in the Murray Art Museum Albury (MAMA) National Photography Prize. The National Photography Prize brings together artists from across Australia who are developing and challenging photographic language and techniques. The Prize provides a forum for artists working with photography to present cohesive selections of work, or works in series, offering a depth of critical reflection that recognises the complexities and nuances of the history of the photograph and its contemporary manifestation.
Hayley Millar-Baker announced as a commissioned feature artist for new International Festival of Photography. Hayley's commission is set to grace the lawns of the State Library of Victoria.
Hayley Millar-Baker announced as the recipient of the Monash University Prato Residency.
https://www.monash.edu/mada/news/articles/2019/artist-in-residence-hayley-millar-baker-announced-for-2020
November 2019
'The Truth of What Occurred Remains' curated by Tara Callaghan and supported by Reg Richardson opens at the Broken Hill Regional Art Gallery. The exhibition is a duo-show between Hayley Millar-Baker and Tracey Moffatt. ‘The Truth of What Occurred Remains’ brings together two major bodies of work that reflect on the transgenerational trauma of colonisation experienced by Indigenous people. Tracey Moffatt’s Up in the Sky (1997) touches on race, violence and poverty; the deleterious ramifications of the Stolen Generation whose wounds never healed. Hayley Millar-Baker’s A Series of Unwarranted Events (2018) depicts the violent truths behind the European occupation of southwestern Victoria, land of the Gunditjmara people.
'The Truth of What Occurred Remains' featured in Artist Profile magazine. Article written by Courtney Kidd.
https://www.artistprofile.com.au/tracey-moffatt-and-hayley-millar-baker/
September 2019
Hayley Millar-Baker awarded the $10,000 acquisitive Darebin Art Prize at the Bundoora Homestead Art Centre with her work 'Untitled (The circumstances are that a whale had come on shore)' (2018).
July 2019
Hayley announced as the recipient of the inaugural Photography Fellowship at the State Library of Victoria in partnership with Photo2021. The $15,000 Photography Fellowship provides a unique opportunity for an artist to conduct innovative research to interrogate the relationship between photography and truth in response to State Library Victoria’s photography collection.
Hayley invited to participate in '15 Artists' at Redcliff Art Gallery. 15 Artists is an annual acquisitive art prize that celebrates the best of contemporary art practice by Australian artists. In its 22nd year, the prize invites 14 artists and the winner of Redcliffe Art Society’s 2019 Exhibition of Excellence to participate.
May 2019
Hayley Millar-Baker interviewed by Varia Karipoff for Art Guide feature.
April 2019
Hayley Millar-Baker selected as a finalist in the Art Gallery of South Australia's $100,000 Ramsay Art Prize. Twenty-three finalists were selected by a judging panel of contemporary art specialists including Russell Storer, Deputy Director (Curatorial and Research), National Gallery of Singapore, Richard Lewer, contemporary artist, and Dr Lisa Slade, Assistant Director, Artistic Programs, Art Gallery of South Australia.
March 2019
Hayley Millar-Baker announced as a finalist in the Copyright Agency and UNSW Galleries 10th annual John Fries Award. Led in 2019 by Melbourne-based visual arts curator and writer Miriam Kelly, the John Fries Award is a $10,000 non-acquisitive award recognising the talents of early career visual artists from Australia and New Zealand.
January 2019
Hayley Millar-Baker featured in Art Collectors 'Cool Hunter' predictions for 2019.
https://www.artcollector.net.au/hayley-millar-baker-cool-hunter-predictions/
October 2018
Hayley Millar-Baker featured in conversation with James Tylor for Issue 311 of Art Monthly guest edited by Judy Annear. Hayley's work from 'I'm the Captain Now' (2016) graces the front cover.
http://www.artmonthly.org.au/issue-311-october-2018
Hayley Millar-Baker featured in Issue 104 of Photofile.
August 2018
Hayley Millar-Baker selected as a finalist in the Josephine Ulrick and Win Schubert Photography Award at HOTA Gallery.
Hayley Millar-Baker announced as one of eight artists whose artwork will transform a Melbourne tram as part of the Melbourne International Arts Festival in October. Hayley's tram was also selected to launch the festival.
July 2018
Hayley Millar-Baker to present her first exhibition at Vivien Anderson Gallery in collaboration with James Tylor. 'Dark Country' will premier her new series of work titled 'A Series of Unwarranted Events'.
Hayley Millar-Baker selected as one of eight artists for the Museum of Contemporary Art Australia's (MCA) annual showcase Primavera: Young Australian Artists. Curated by Megan Robson ‘Primavera 2018’ asks why ‘is identity important today?’ In response to this query the artists consider, explore and re-examine the politics of identity, visibility and representation. Together they present their experiences, ideas and understanding of the complex, social, political and cultural frame-works that underpin the construction and interpretation of personal and collective identity.
June 2018
Hayley Millar-Baker is currently exhibiting at MUMA in UNSETTLEMENT. Curated by Charlotte Day, Shelley McSpedden and Elise Routledge
Unsettlement is an international group exhibition that explores the ways that power manifests through architecture and in the built environment. The artworks presented register the material force and histories of architecture and encourage a productive sense of upheaval and re-appraisal.
March 2018
Hayley Millar-Baker selected as a finalist in the 65th Blake Prize at Casula Powerhouse Arts Centre.
Hayley Millar-Baker announced as the recipient of the Emerging Artist Residency at The Substation.
November 2017
Hayley Millar-Baker awarded The Churchie National Emerging Art Prize ('Churchie') Special Commendation prize. The Special Commendation prize of $5,000 is sponsored by NK Orthodontist and was awarded for her series of three photographic collages, Even if the race is fated to disappear (Peeneeyt meerreeng / Before, now, tomorrow) 2017.
August 2017
Hayley Millar-Baker to exhibit in the Ballarat International Foot Biennale (BIFB) at the Mining Exchange, Ballarat.
Curated by Jessica Clark ‘Tell’ includes the work of 17 artists who consider both the medium of photography and Indigenous stories. Its original and diverse photographic methods and narratives promise to enrich our understanding of the field of contemporary Indigenous art in Australia.
Hayley Millar-Baker's essay 'A Lucky Survival and Thereafter' featured in Un Magazine Issue 14.1.
http://unprojects.org.au/magazine/issues/issue-14-1/hayley-millar-baker/
April 2020
Hayley Millar-Baker is featured and interviewed by Nanette Orly in the anniversary issue and photography special of Vault Magazine Issue 30.
Hayley Millar-Baker to present new work 'I Will Survive' at the 2021 Melbourne Art Fair with Vivien Anderson Gallery.
February 2020
Hayley Millar-Baker announces early-career survey show to be exhibited with UTS Gallery.
December 2019
Hayley Millar-Baker announced as a finalist in the Murray Art Museum Albury (MAMA) National Photography Prize. The National Photography Prize brings together artists from across Australia who are developing and challenging photographic language and techniques. The Prize provides a forum for artists working with photography to present cohesive selections of work, or works in series, offering a depth of critical reflection that recognises the complexities and nuances of the history of the photograph and its contemporary manifestation.
Hayley Millar-Baker announced as a commissioned feature artist for new International Festival of Photography. Hayley's commission is set to grace the lawns of the State Library of Victoria.
Hayley Millar-Baker announced as the recipient of the Monash University Prato Residency.
https://www.monash.edu/mada/news/articles/2019/artist-in-residence-hayley-millar-baker-announced-for-2020
November 2019
'The Truth of What Occurred Remains' curated by Tara Callaghan and supported by Reg Richardson opens at the Broken Hill Regional Art Gallery. The exhibition is a duo-show between Hayley Millar-Baker and Tracey Moffatt. ‘The Truth of What Occurred Remains’ brings together two major bodies of work that reflect on the transgenerational trauma of colonisation experienced by Indigenous people. Tracey Moffatt’s Up in the Sky (1997) touches on race, violence and poverty; the deleterious ramifications of the Stolen Generation whose wounds never healed. Hayley Millar-Baker’s A Series of Unwarranted Events (2018) depicts the violent truths behind the European occupation of southwestern Victoria, land of the Gunditjmara people.
'The Truth of What Occurred Remains' featured in Artist Profile magazine. Article written by Courtney Kidd.
https://www.artistprofile.com.au/tracey-moffatt-and-hayley-millar-baker/
September 2019
Hayley Millar-Baker awarded the $10,000 acquisitive Darebin Art Prize at the Bundoora Homestead Art Centre with her work 'Untitled (The circumstances are that a whale had come on shore)' (2018).
July 2019
Hayley announced as the recipient of the inaugural Photography Fellowship at the State Library of Victoria in partnership with Photo2021. The $15,000 Photography Fellowship provides a unique opportunity for an artist to conduct innovative research to interrogate the relationship between photography and truth in response to State Library Victoria’s photography collection.
Hayley invited to participate in '15 Artists' at Redcliff Art Gallery. 15 Artists is an annual acquisitive art prize that celebrates the best of contemporary art practice by Australian artists. In its 22nd year, the prize invites 14 artists and the winner of Redcliffe Art Society’s 2019 Exhibition of Excellence to participate.
May 2019
Hayley Millar-Baker interviewed by Varia Karipoff for Art Guide feature.
April 2019
Hayley Millar-Baker selected as a finalist in the Art Gallery of South Australia's $100,000 Ramsay Art Prize. Twenty-three finalists were selected by a judging panel of contemporary art specialists including Russell Storer, Deputy Director (Curatorial and Research), National Gallery of Singapore, Richard Lewer, contemporary artist, and Dr Lisa Slade, Assistant Director, Artistic Programs, Art Gallery of South Australia.
March 2019
Hayley Millar-Baker announced as a finalist in the Copyright Agency and UNSW Galleries 10th annual John Fries Award. Led in 2019 by Melbourne-based visual arts curator and writer Miriam Kelly, the John Fries Award is a $10,000 non-acquisitive award recognising the talents of early career visual artists from Australia and New Zealand.
January 2019
Hayley Millar-Baker featured in Art Collectors 'Cool Hunter' predictions for 2019.
https://www.artcollector.net.au/hayley-millar-baker-cool-hunter-predictions/
October 2018
Hayley Millar-Baker featured in conversation with James Tylor for Issue 311 of Art Monthly guest edited by Judy Annear. Hayley's work from 'I'm the Captain Now' (2016) graces the front cover.
http://www.artmonthly.org.au/issue-311-october-2018
Hayley Millar-Baker featured in Issue 104 of Photofile.
August 2018
Hayley Millar-Baker selected as a finalist in the Josephine Ulrick and Win Schubert Photography Award at HOTA Gallery.
Hayley Millar-Baker announced as one of eight artists whose artwork will transform a Melbourne tram as part of the Melbourne International Arts Festival in October. Hayley's tram was also selected to launch the festival.
July 2018
Hayley Millar-Baker to present her first exhibition at Vivien Anderson Gallery in collaboration with James Tylor. 'Dark Country' will premier her new series of work titled 'A Series of Unwarranted Events'.
Hayley Millar-Baker selected as one of eight artists for the Museum of Contemporary Art Australia's (MCA) annual showcase Primavera: Young Australian Artists. Curated by Megan Robson ‘Primavera 2018’ asks why ‘is identity important today?’ In response to this query the artists consider, explore and re-examine the politics of identity, visibility and representation. Together they present their experiences, ideas and understanding of the complex, social, political and cultural frame-works that underpin the construction and interpretation of personal and collective identity.
June 2018
Hayley Millar-Baker is currently exhibiting at MUMA in UNSETTLEMENT. Curated by Charlotte Day, Shelley McSpedden and Elise Routledge
Unsettlement is an international group exhibition that explores the ways that power manifests through architecture and in the built environment. The artworks presented register the material force and histories of architecture and encourage a productive sense of upheaval and re-appraisal.
March 2018
Hayley Millar-Baker selected as a finalist in the 65th Blake Prize at Casula Powerhouse Arts Centre.
Hayley Millar-Baker announced as the recipient of the Emerging Artist Residency at The Substation.
November 2017
Hayley Millar-Baker awarded The Churchie National Emerging Art Prize ('Churchie') Special Commendation prize. The Special Commendation prize of $5,000 is sponsored by NK Orthodontist and was awarded for her series of three photographic collages, Even if the race is fated to disappear (Peeneeyt meerreeng / Before, now, tomorrow) 2017.
August 2017
Hayley Millar-Baker to exhibit in the Ballarat International Foot Biennale (BIFB) at the Mining Exchange, Ballarat.
Curated by Jessica Clark ‘Tell’ includes the work of 17 artists who consider both the medium of photography and Indigenous stories. Its original and diverse photographic methods and narratives promise to enrich our understanding of the field of contemporary Indigenous art in Australia.